pinkfled:

Bob Dylan in New York City, 1965

Lilting - Richard wearing a white shirt (requested by night-train) - part 2.

fasterpussycatgifgif:

Metropolis (1927). Dir. Fritz Lang.

Title: Piano Trio In E Flat, Op. 100
Artist: Franz Schubert
Played: 227 times

Franz Schubert

Piano Trio in E Flat, Op. 100


Irlande nul points

90smoz:

Red Light District, Paris.

heissogoodlooking:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.” This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain that no one reading this believes the people around him/her are capable of doing such things to another human being, but this performance proves otherwise.”

jaded-mandarin:

Leon Cogniet. Detail from Killing of Innocents by Herod, 1824.

What ‘William It Was Really Nothing’ is about is… it occurred to me that within popular music if ever there were any records that discussed marriage they were always from the female’s standpoint - female singers singing to women: whenever there were any songs saying ‘do not marry, stay single, self-preservation, etc’. I thought it was about time there was a male voice speaking directly to another male saying that marriage was a waste of time… that, in fact, it was ‘absolutely nothing’.